A portrait with one light you chose
Make a portrait using a single light source — a window counts — where you chose the direction and the quality on purpose, and can say why. Focus lands on the near eye. The background does not compete. Everything at the edges of the frame is there because you decided it should be.
What you have to hand in
- One final frame plus a 100% crop of the eye.
- A sentence naming the light source, its direction, and why you chose it.
- The subject is separated from the background by at least one identifiable means.
- No unaddressed distractions at the frame edges.
The checklist, published before you start
- Focus lands where intended
The stated subject is the sharpest thing in the frame.
- Focus is on something other than the stated subject.
- Slightly off — a lash rather than an eye, a shoulder rather than a face.
- On the intended plane.
- On plane at a wide aperture, demonstrated with a crop.
- The lighting does what was claimed
The described direction and quality of light are visible in the shadows.
- Shadows contradict the description.
- Direction visible, quality misdescribed, or vice versa.
- Both direction and quality match the description.
- Match, plus a stated reason for the choice.
- The subject is unmistakable
Measurable separation from the background — tonal, colour, or focus.
- The subject competes with the background for attention.
- Separated by one weak means only.
- Clearly separated, with the method identifiable.
- Clearly separated, and the submission names which tools it used.
- The edges were a decision
No mergers, half-objects or bright distractions at the frame edge that go unmentioned.
- Several unaddressed edge problems.
- One unaddressed edge problem.
- Edges are clean.
- Edges are clean, and the submission says what it moved to fix them.
The skills a pass would prove
- Direction of lightPlace your subject relative to a light source to get the shaping you wanted
- Quality of lightIdentify whether light is hard or soft, say why, and change it deliberately
- Focus accuracyLand focus on the intended plane consistently, including on moving subjects
- Separating subject from backgroundMake the intended subject unmistakable within the frame
This brief is part of the Photography course
Starting it starts the course: every skill above, in the order they depend on each other, with this brief at the end as the thing you hand in — marked against the checklist you have just read and nothing else.
Start the Photography course